and not the wheel and fibre spinning, but the kind that my head does when there is almost to much going on to comprehend.
I got tagged, or bombed, or graffiti-ed, I'm not sure which, but it is fabulous, and I'm honored and surprised and an awe. And I have an answer to a question on how I fill my bobbins so evenly when I have a flier with hooks (spinning terms - that might confuse non spinning knitters)
At our house we have a gate, well two gates and an opening between the end of the hedge and the garage. The two gates are simple ones, a square frame made of bent tubular metal, and filled in with wire mesh. The two gates in themselves are humble, galvanized, so silvery-dull metal in colour, plain and functional. In short the main gate was plain and not very exciting to come home to every day.
Look, now I have a wonderful lace gate, white and yarn-ey, and lovely. This weekend we held our annual mid winter Thursday Night Knitters swap ... and this was gifted to me. Of course I didn't find out about it until I got home - at the end of the evening. Bear drove home and as we swung into the wee private street that leads to the garage at the back of our section ... I spotted
something on the gate. A closer inspection revealed yarn bombing, and fancy yarn bombing at that, there is lace at least nine different knit lace structures, and then crochet lace as well. I know there isn't much or even any crochet here on my blog ... but I can crochet, and I do like crochet very much.
and look, every single section of lace was made to fit the grid of the gate, and then laced into place. If that doesn't impress you then knowing that the average temperature in Dunedin the day it was installed was 7.9° Celsius, and that would be 46° Fahrenheit, and Bear tells me installation took a few hours.
Jenni - you are amazing! I love you and your knitting, and I love what you did to my gate .....
and there are other things that made my head spin, I've been away at two day workshop that focused on alternative approaches to pattern cutting. Pattern cutting being the term used to describe the art of generating shapes on cloth that can then be cut and constructed into garments. The workshops, there were several options, brought together at least four 'zero-waste' designers, and offered workshops to allow participants to understand their different approaches. Zero waste is a new term in the fashion area, and refers to a goal of making garments without wasting fabric or other resources. The figures for fabric waste vary by garment type but are usually quoted at an average of 15%. So for every 10 tee shirts, or 10 pairs of jeans made and sold, enough fabric to make another one and a half is dumped. Consider the clothes in an average house, or shop ... and extrapolate that to the amount of waste fabric that is generated by the manufacturing process and the volumes get quite scarily large.
Holly McQullian's approach can only be described as holistic, considering not only the fabric, and the fit, but also aiming at a cutting scheme that has beauty as a flat graphic. An example can be seen in the
Yield exhibition page for her work, which shows an image of her cutting plan - it is the image that 'isn't a dress' (yet) and sort of has a monkey face at the top. Inspired by her approach to zero waste - spent the first few hours playing with half sized patterns to see how they could be morphed into something that made full use of the fabric. Its not perfect yet, I can see potential to tweak the cutting lines to make the garment sit and fit better, ... but there is only so much one can do in 6 hours when the ideas are new and jostling in ones head.
That pattern when cut out and lifted and stitched in a few places turns into this dress. I was working in calico (in the USA - Muslin) - which is stiff, cream, inexpensive plain weave cotton, so allows all sorts of experimentation without worry about wasting expensive fabric. Now this design is shaping up I see it being executed in a more fluid fabric, and darker. At the back there is a hint of a hood, but one that falls from under the arms, and hidden in the side seam are pockets, constructed by swinging the 'waste' fabric from the armhole down and around, and folding it back. I'm going to keep playing with this idea .. and see if I can't polish it a bit more ...
On Saturday I attended a workshop with a different approach to reducing waste.
Jennifer Whitty presented a workshop that looked at new garments that are relegated to waste before they are even sold. This happens for lots of reasons and happens surprisingly commonly, in scary amounts. Jennifer provided new unworn 'waste' garments and asked us to pair up and collaboratively design something from this often ignored waste source. I paired up with
Anne-Marie who I had only just meet, and we had 40 minutes to create something from two generic dark polyester shirts. The shirts were 'work-wear' uniforms, and the care label had me in stitches - giggling like a little kid. Hand wash - warm water , Line dry in shade! Really - after spending a day in the kind of job where you have to wear a dark polyester blouse - the wearer is to go home and lovingly hand wash it .. and hand it to dry on a line? Polyester ? the most robust fibre known to human?
This is our 40 minute dress - I am amazed and think we worked really well together. Ok it does have a bit of a toga feeling to it, but it has pockets and a back button closure that works, and we even worked the sleeves into pockets that sit inside the dress at useful points.
Not only did we use all of the two black polyester blouses, but we even made use of the care labels and two buttons from other projects in the same room. I think we should call it the
40-minute zero plus dress!
I thought that if I sorted this all into a blog entry ... well my head might spin less with all that has happened in the past few days. But no ... a little clearer but still buzzing with ideas and pleasure at the lovely gate at the end of my front path ...
so I'm off to finish unpacking, write few messages of thanks .... and make a cuppa tea, and I'll leave you with Holly's update on the
event, venue and Exhibition that was held at the end of the workshops.
na Stella
And the answer to a spinning question posted recently
Woollyprimate asked recently in a comment on a
post "
May I ask how you fill your bobbins so evenly when you have hooks on your flyer? It looks like you used a woolee winder. "
Well it has to do with the arrangement of the hooks. The flier on this wheel has hooks that are offset - rather than exactly opposite each other ... and the arrangement of the orifice and design of the flyer allow the yarn to be strung from both sides of the flier. I hope this photo shows how the hooks on the top arm are not lined up with the ones on the lower arm, but are instead between them. Effectively the hooks on the top arm allow the yarn to fill in the valleys that the hooks on the lower arm create. Two or three of my vintage wheels have this feature, and I think it shows that the wheel maker was considering how the wheel would be used, and perhaps was a spinner themselves. My modern Majacraft wheel has a sliding hook that allows me to achieve the same effect.