Showing posts with label ukelele. Show all posts
Showing posts with label ukelele. Show all posts

Saturday, May 26, 2012

You get what you pay for ... mostly

This past week I relearned that I get what I pay for, and sometimes paying for convenience back fires, and I end up taking the long road to do something properly. This seems to be a lesson that I have to relearn every so often, in  a wide range of situations. This post is mostly about me relearning that not all beads are nice to use, that even when I say I will set a project aside and deal with those with more urgent deadlines sometimes I don't, and that cats still want to sit just on paper - especially if you are reading something from it.

This time I relearned about bead quality. Next weekend I am teaching at Handmade, two classes, a beginners learn to knit class, and a more advanced class for those who can already knit introducing the use of beads in knitting. I've worked my samples, showing three ways to add beads, and had a project all planned - with hand outs and instructions - but I didn't have a lovely new unused project to show and tell how great beads can look. So I dug out my bead collection and set about knitting a beaded wrister, but none of the beads I had at hand were the right size. I wanted to use fingering alpaca, in soft black and grey but all the beads I had at home were too small - no problem I thought, there is a bead shop in town, I'll just head there and buy some that are the right size. So I did, the choice wasn't great, and the beads were not strung. That alone should have alerted me that the beads were not the best. This was what I found, size 6, orange glass and pink lined glass. In the shop they looked fine, back at home they looked awful, each was a different size and shape, and many were misshapen. That was last weekend,

This weekend I headed up to Oamaru, Enterprise Beads and bought some lovely even and perfectly matched beads, in size 8. Size 8 is a better size for sock yarn and wristers to my eyes. Compared to the first purchase these were not only nicer, there was much more choice - they were strung. Beads being strung on a thread is a simple thing but one that proves that each has a working hole, something not all beads can boast. And even better the beads were cheaper ... much much cheaper.  I bought white because for teaching I wanted drama, clear definition and a nice strong effect against the black alpaca yarn.
The only problem with making decisions in a well stocked bead shop is that it is easy to decide to buy other things. So three strings of these lovely black- grey and silver mix beads came home, as well as these lovely mixed pastel ones. I told myself that I didn't want to be caught out again without size 6 beads in the house.
The other bit of prep for the class was to locate some vintage fine crochet hooks, English size 4, and smaller. I had two already and some that were size 3. I found the size three a little big to pull yarn through the size 8 beads and began to worry that my students may not have all found hooks to bring. The local 'designer' opp-shop has a fantastic store where they clean, and sort and display all the best of what they have, and when I asked the staff pointed me towards a wee set of drawers holding dozens of crochet hooks. I found seven in the sizes I wanted, 4 size fours, one size 5, one 5.5 and one 6. Two even came with little metal caps to keep the hooks safe. One is a little bent at the non-working end, the rest had very light touches of rust - but a light rub with fine 0000 steel wool cleaned them up beautifully. Each is now smooth and ready to go - and at the grand sum of $1 each I am happy.
And while I was dithering around trying to work with beads that were not right, I kept knitting on the Clarie cardigan. I've finished the short rows that shape the neckline and for now the knitting is straight back and forward with raglan increases. This might be a useful cardigan, soft grey, and with a touch of crochet lace around the neck line but it is otherwise plain as plain can be - there is nothing but stocking stitch until I get to the cuffs and hem - and those are a long way from the neck. I'm working on 2.75mm needles, so this might take a while.

As a smaller child little cub was terrified of animals, dogs that bounce still make her stiffen and clutch the hand of a nearby adult. We can't explain why she reacts like this, and nor can she, as far as we know no animal has ever even hinted it might like to have a taste. And she has been around a lot of cats and dogs and other animals in safe ways - her fear seems to be deep and primal rather than learned - and we are working with it. That being said over the past four years she has become more and more accepting of our cat, and the cats of others. To the point she will now let a cat sit on her, or beside her, and she will pick up a kitten if it is small. This is great, because she used to edge out of the room nervously complaining the cat, any cat, was trying to 'get-her'. Yesterday was another first in her accepting animals, Yo-yo sat on her music as little cub practiced ukelele. I loved explaining that sitting on paper, especially paper that you were reading or using was an age old cat trick. Little cub accepted that and went on to improvising a tune of her own rather than reading the music.

This week is a tad frantic, Bear is away Monday and I'm away Friday to Sunday, but now I have beads and hooks - well I'm all set.
Take care
na Stella

Sunday, January 22, 2012

Messing about

Seems like I have been messing about with lots of different things the past few days. Little cub has been invited to more birthdays, and like before these friends play the ukelele, and have seen her ukelele bag and the one we gifted to C ... so let it be known that they would love one of their own. Because it is never easy finding great gifts  - Little cub and I decided Bella gets a bag ...
Bella

and Caitlin gets a bag as well. The plan was to make them different but not so different that they were hard to make. Like the others I traced around the ukelele and added seam allowance straight onto the denim. I ironed fusible web onto one side of some bright colourfull fabric left over from a previous project - I always keep good sized scraps. Then I  cut out their names in letters then ironed the letters onto the front of the Uke bag. Then I zig zagged over the raw edges  to finish them nicely. Little cub chose the colours, based around one friend liking green and the other friend liking purple .... the threads are left over from previous projects.
Caitlin

I also made significant progress on my Rosebuddie, I  knit 3/4 of the way through chart, on addition to the complete repeat I had already worked. This left me with 49g of yarn - which I hope will be enough to complete the lace edge with. I've calculated how many stitches I have, and how many repeats that will allow me to knit around the edge, and adjusted the stitch count by two stitches to make things all match up nicely. This time I'm liking the way the eyelet boarder between the blanket body and the edge is working out -now that I'm p2tog rather than K2tog.  
Rosebuddie, this time with nice eyelet lace edge

The vintage dress pattern I bought to make myself a dress has been opened, carefully unfolded, checked, and the instructions read through. Everything is there, and it is well used but nicely looked after. I Googled how to use vintage dress patterns, and was encouraged by the number of people out there blogging  like this info. On Sunday morning, out buying Denim for  Ukelele cases I found this lovely gold and chocolate floral at Global Fabrics and decided that I was brave enough to make it into a dress. My usual taste in clothes runs to darker and plainer, but I must have been feeling a tad risky. The print is a very stylized old gold floral, kind of arts and crafts tonal print. Still am it seems as I've cut out the dress and have it pinned awaiting basting for fitting. More recently the fabric I have bought with plans to sew specific things has just ended up in stash, this time I really want a new dress, especially after making 5 for little cub. I usually make my own patterns so toile rather than baste and fit. Subtle difference being that a toile is adjusted and discarded in the process of making the garment fit, and a basted fit is achieved by cutting the garment in the final fabric with checking for size and allowing for alterations before it is completed. I was in town today and saw a special on little pretty vintage style summer cardigans .... so thought I might head back to buy one to go with this latter in the week.
Rose gold and chocolate brown

The other project that made its way onto and then off the needles are these little chickens and eggs. The cubs both love them, the one with the blanket stitched wings is by little cub. She knit it in the round - her first magic loop knit project and a successful one. She had started one earlier that was knit flat, but lost interest, seeing then knit in the round was enough to make her dig out her knitting and ask me to show her how to make one. The chick pattern is adapted from Fuzzy thoughts, and the eggs from Frankie.
Chicken or egg?

I'm off work again for three days this time, and if my plans go well I will have all day Wednesday to test fit and complete the dress ... ready to wear to work. Tomorrow there is some serious play date-ing at my house followed by the Ukelele girls birthday party.

Take care - na Stella

Saturday, November 26, 2011

Not just knitting

Hello, during the week Bear went digital, this is a man with a Nikon F5 film camera and previously no wish to use a digital camera at all. Digital is something I've encouraged, seeing my photos as I make them allows me to make better photos. I can't imagine waiting weeks for a film to be finished and then printed, but Bear is old school - and that is cool. The result of Bear deciding to try digital was my lovely Panisonic Lumix camera went out on a site visit with him and wasn't here for me to use - no mid week photos means no midweek post. Not that there was much here to blog, a sock is growing, I've plied two skeins (no photos sorry), and today I made a bag. The bag was a project that started out as a repair and before I knew it there was a new bag in the making. I'm working away developing a 'teachable' book for November continues to keep me busy - but the end is in sight. There are several 4pm to 7pm ballet practices this week, Monday and Wednesday, and a full ballet concert this Friday and Saturday, I'm not sure who will be the more tired, little cub who has to rehearse and dance or the parents who have to prepare, transport and feed the ballerinas and then watch the whole recital.

So a growing sock, Bigger on the inside the second is half done. The corner turned and the leg commenced. Soon I will be able to play with the colourwork at the top. There will be more opportunity this week as elder cub is away to school camp from Tuesday morning to Friday night. Without him in residence I can happily knit on his sock without discovery.
Little cub plays Ukelele, she has done for two years now. The classes are held at her school and are free - one of the retired teachers opens up the library and runs 3 classes a week, beginner, intermediate, and advanced. Thank you Miss G! Every Wednesday littlest cub takes her pink ukelele and trots of to class after school, most weekends, and some mornings we hear her singing and strumming away in her room down the hall. The bag it came in was thin and had started to tear in several places. As eldest cub is off to camp we had the sewing machine out and I was stitching labels to the things we least want him to loose. Seemed a good time to do a few repairs, stitch a belt loop back on, top-stitch a hat band in place, and repair the ukelele bag. The fabric of the original bags was - well it wasn't fabric, it was a thin non-woven with no structural integrity at all. Originally I thought I would over-stitch the popped seams, but on inspection I found the seams had torn, and there were holes and tears in a few other places. The next step in the repair ladder seemed to be to open up the seams and patch the thin and worn places ... so Little cub and I started to unpick the bag. As we unpicked it seemed that the best repair would not to be to patch such thin fabric - but to cut and sew a new bag.

I hauled out the last of a roll of denim that I had used to make cub-trousers when both were smaller, and my sewing box. Little Cub chose a cotton quilting print of Paua-shell  to accent the denim fabric. Little cubs nickname is Doodle ... so that seemed a fun word to personalize her bag. The applique was outlined in machine zig zag stitching, each letter in a different thread colour, and that seemed a nice feature to carry through to the handle and the zip. Little cub outlined the 'L' - didn't she do a grand job? She wasn't sure about the 'E' - as it had lots of corners and turns, and left the curved letters to me.

We even added a wee pocket to the back, to keep her picks in, with enough space to add a ukelele tuner later (she is getting one for Christmas but dosn't know that yet).

And I've been working away to develop a nice book to teach bookbinding with at Unwind next March. The class is only a few hours so I've been working out how much I can expect people to sucessfully get through in that time,  And I've been playing with materials, these two are stitched with different weights of linen thread. I like the thinner one better, less dramatic but the stitching holes are smaller and the thread adds less bulk to the book.

I've also been playing with this method of attaching the covers to the book-block (pages). The standard method dosn't use a flyleaf - which is something that 'nicer' books have. The problem with adding a flyleaf is how to stitch the cover to the book-block and not interfere with the unglued flyleaf. Took me the 'map' journal to get my mind around the 'how' and the yellow journal to refine adding the back cover so the inside looked the same. Soon I need to 'test' my teaching on some one to make sure that this is achievable for some one in my class, no point having a method that is so fiddly that no-one else can follow is there?
I've also been playing with paper, the ivory is 80gsm Claire Fontaine, and the white is 90gsm HP, both take fountain pen ink and pencil well which is important. I'm also playing with printing a knit grid on some of the pages, and different methods of stitch binding using the 'coptic' stitch. Heavier paper makes for a book with more of a 'high-quality' feel, and I've already discovered that the covers and flysheets are much easier to glue if thicker paper is used.

Take care - I'll be back with more knitting mid week if the ballet and camp and work dosn't derail me again. There is only 3 weeks until school (cubs) and work (mine) finishes for the year - then there is our long summer holiday break. The end is in sight!

cheers
na Stella